ROUND 102. HAND WASHING DISHES VS DISHWASHER.
- HAND
- MACHINE
Took a while to think of something.
ROUND 102. HAND WASHING DISHES VS DISHWASHER.
Took a while to think of something.
I won a dishwasher on SOTC (and sold it to a work colleague $$$) but have never lived in a house that has such a machine. What’s wrong with doing the dishes, you lazy bastards?
“This dishwasher was given to me by Glenn Ridge. It’s worth at least double the RRP!”
“Caressed gently by Nicky Buckley!”
ROUND 103. THE VILLAGE PEOPLE YMCA VS THE VILLAGE PEOPLE EVERY OTHER SONG.
Random.
Village people bias in here?
I’m going to back ‘all their other songs’ over one song.
And I’m taking hand over machine every time, you freak.
YMCA is the pits.
Didn’t know they even had other songs. Not voting on this one.
Are you serious?
The Village People is up there with BoneyM as the best bands ever.
I can see you bopping away to “Rasputin”.
This statement explains a lot ![]()
I’d have gone Boney M over Village People if it were that.
Not even “In the Navy”?
Boney M were definitely more into drugs.
Was that them? That explains a few things.
They want you, they want you.
But there was Macho man, you can’t stop the music. Even a cover of go west. Then there was a movie…
ROUND 104. CHRISTINA AMPHLETT VS CHRISSIE HYNDE.
Chrissie Hynde & The Pretenders Top 5 Songs
“Brass in Pocket” (1979): Their breakout smash, dripping with cool swagger, playful confidence, and unforgettable vocals.
“Back on the Chain Gang” (1982): A gorgeous, driving masterpiece that balances melancholic depth with a sublime melodic hook.
“Middle of the Road” (1983): Packed with a blistering harmonica intro and pure, unapologetic rock energy.
“I’ll Stand by You” (1994): A massive, deeply moving power ballad showcasing Hynde’s immense emotional resonance.
“Don’t Get Me Wrong” (1986): A bright, jangle-pop gem that highlights the lighter, infectious side of her songwriting.
Christina Amphlett & Divinyls Top 5 Songs
“I Touch Myself” (1990): The global pop-rock phenomenon—slinky, provocative, and fiercely empowering.
“Boys in Town” (1981): Their jagged, high-voltage debut single that established Amphlett’s iconic stage firebrand persona.
“Pleasure and Pain” (1985): A driving, synth-touched Australian rock classic with an intensely catchy hook.
“Science Fiction” (1982): Edgy, dark, and new-wave-infused, featuring some of her most theatrical vocal delivery.
“Back Against the Wall” (1983): A pulsing, high-energy pub-rock track that highlights the raw grit of the band’s early sound.
ROUND 105. SPLIT ENZ - I GOT YOU 1980 VS TALKING HEADS - PSYCHO KILLER 1977