On the other hand I remember Pillow Talk, in which Rock Hudson played the manly romantic lead opposite Doris Day and for some reason the plot required him to act effeminately at one point. So you had a notoriously gay actor playing a straight guy acting like a gay guy.
I recall it as being just about the most unfunny comedy I had seen in my life up to that point and there haven’t been many worse ones since.
Cary Grant is a stand out for me from then. Him and Hitchcock just nailed it. Throw in a Grace Kelly (To Catch A Thief) or an Eva Marie-Saint (North By North West) and you have superb viewing.
An Arthouse film is one that gets remade by Americans and is totally unwatchable - for example - the Dinner Game - Le Diner de Cons https://www.imdb.com/title/tt0119038/
Before Brando it was all over the top monologues under the spotlight. Brando brought a great realism that suspended belief. He made you forget you were watching a film.
Listen to me Brando is a great doco about the man.
Does Locke qualify as art house and did anyone who saw it love it as much as I did? I watched it on a plane… which for this movie made
Me feel like I was there.