The irony about that selection from the 90s is that it probably had a lot to do with recency bias. The car dj (my daughter) is quite enamoured with that album and it has grown on me.
1990
3 Depeche Mode - Violator
2 The KLF - Chill Out
1 Jane’s Addiction - Ritual de lo Habitual
1991
3 Massive Attack - Blue Lines
2 U2 - Achtung Baby
1 Talk Talk - Laughing Stock
1992
3 REM - Automatic for the People
2 Faith No More - Angel Dust
1 The Cure - Wish
1993
3 Smashing Pumpkins - Siamese Dream
2 Depeche Mode - Songs of Faith and Devotion
1 U2 - Zooropa
1994
3 Portishead - Dummy
2 Nine Inch Nails - The Downward Spiral
1 Kyuss - Welcome to Sky Valley
1995
3 Pulp - Different Class
2 Radiohead - The Bends
1 Smashing Pumpkins - Mellon Collie and the Infinite Sadness
1996
3 Tricky - Pre-Millennium Tension
2 REM - New Adventures in Hi-Fi
1 Weezer - Pinkerton
1997
3 Radiohead - OK Computer
2 Nick Cave & The Bad Seeds - The Boatman’s Call
1 Depeche Mode - Ultra
1998
3 Pulp - This Is Hardcore
2 Smashing Pumpkins - Adore
1 Air - Moon Safari
1999
3 XTC - Apple Venus Vol. 1
2 The Flaming Lips - The Soft Bulletin
1 Bonnie Prince Billy - I See A Darkness
Interesting some of the commentary about 1990; my three picks for that year are among my all-time favourite albums, and I also wanted to include selections from Sinead O’Connor, The La’s, Ride and Slayer. '91 and '94 had more great stuff than you could poke a stick at, but I struggled with several of these years, especially '93 and '95.
Depeche Mode is really an outlier for me… I’m generally not a fan of electronic music at all. But there’s three or four tunes on that album I still hear today and they hold up. It is certainly one of those albums in my collection that kinda looks odd sitting next to all my Rush and Steely Dan records.
I really do like that album, but unfortunately I spoiled the experience for myself.
I had copies of the Andy Partridge & Colin Moulding demos (from which the AV1 and Wasp Star songs came) for several years before the albums came out.
I’d lived with them, played them ad nauseum, digested and memorised every single note, discussed and dissected them on-line with other XTC devotees.
When the final products came out, the experience was… I dunno… jarring. It was more a case of hearing changes (where lyrics had been changed, where solos or backing vocals had been added), bemoaning what great songs in demo form had not been recorded etc than taking in the whole experience. Hell, even the different running order was difficult to get used to. As an example, I still reckon the Green Man demo is better than the final version (which overcooked it to the point where it sounds like Sting…)
I can listen to the albums now and acknowledge most songs were improved in their final form, but even 25 years later, they are still a somewhat problematic experience.
I vowed after that I would never listen to pre-release recordings ever again… I even try to avoid advance single releases.